LIT STUDIO
阿列工作室

SCENOGRAPHY & Costume for SEVEN ALMOST DEADLY SOLOS  - an immersive theatre-like exhibition X KIWI CHAN

30-31 March 2024 @jccac_jcbbt 
Producer & Performing Artist | @kiwi.zzs 
Lighting Designer | @billstinlx 
Videographer | @thisisjiamin 
Props Designer | @kkcrufus 
Deputy Stage Manger | @ahniccc 
Composer | @lukwaichun_composer 
Art assistant | @cheukyinggg.10 
Key Visual Design | @tubitubi86 

Statement: (repost)

世道殘酷,誰教曉我冷漠?以「罪」入舞,有如被捧得高高在上的活祭品 猛然墜落帶來的契
機,再細讀伊莉莎伯女皇與瑪格麗特公主之間的親密與 焦灼,轉接成受傷母親的甜蜜復仇,
化身為深信「世上沒有醜女人,只有 懶女人」的假面伊人,微觀姬蜂對於毛毛蟲的無動於
衷,再幻想顛茄般的
生而為女子需要去領悟的大道理很多,成長教曉我諸事不分好壞,沒有殘 忍或善良,冷若冰
霜的外相包裹着焦灼難耐的思緒,我無法理解她者,是 因為我未有成為一個母親嗎?
In this cruel world, who teaches me to be indifferent?
I could not understand motherhood, just because I am not yet a mother?
This dance theatre performance is to illustrate seven deadly sins under the theme of the
mother wounds.
"The Mother Wound" is an issue that indicates the pain of being a woman
passed down through generations of women in patriarchal cultures. And it includes the
dysfunctional coping mechanisms that are used to process that pain.

此舞蹈劇場作品以7宗罪作為藍本去探索母親與她的女兒之間的羈絆,渴望在生老
病死之間明白生命無常。作品結合裝置、錄像以及現場表演,節 目全長約55分鐘,
是表演藝人陳家蔚 Kiwi Chan 首個長篇獨舞作品。
The work is targeted to be presented as immersive theatre-like exhibition, composed with installation, video works and live performance. The duration of the performance would be 55 minutes, and this project would be Kiwi Chan's first full-length solo performance.